In my "Brave New World" collection, I sought to delve deep into the labyrinth of human emotions and societal concepts, aiming to convey a spectrum of feelings from hope and resilience to despair and introspection. I wanted each piece to serve as a mirror reflecting the complexities of our shared experience in navigating an ever-evolving world. This collection is, at its core, a dialogue about the state of our humanity and the constant tension between progress and tradition, particularly in the face of global challenges such as climate change.

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As an artist, if I can not create things

"Genocide Is In The Blood" is my latest digital masterpiece, and it stands at 24"x30". Using Photoshop, an Apple Pencil, and Procreate, I have crafted a poignant statement through vibrant and intense visual storytelling.

Embracing Digital Transformation in Art: Insights from Tyrone Geter

Tyrone Geter skillfully blends traditional art principles with the experimental possibilities of digital tools. His journey showcases growth, exploration, and innovation.1. Balancing Traditional Principles with Digital FreedomGeter’s digital art is grounded in his traditional training. While digital tools provide vast opportunities, he relies on core principles to guide his creativity, merging instinct with new digital landscapes.

In Progress
Titled "Survival Breeds Strange Bedfellows," this striking 4'x8' digital artwork stands out as a compelling exploration of unity amidst adversity. The composition is a seamless blend of portraiture and landscape, dominated by a dramatic, cloudy sky rendered in grayscale. This monochromatic palette sets a somber yet evocative tone, perfectly mirroring the theme of resilience and solidarity in the face of climate change.

My Beauty Is Not My Beast takes a strong stand against the negative behaviors often seen in contemporary music and culture. It aims to challenge societal norms and promote positivity through art.

In the world of art, every brushstroke, every hue, and every detail holds a story, a message, or even a reflection of our world. My latest piece, "Hand-Me-Downs," is no exception. This 6"x8" digital painting is a warm, intimate portrayal of a traditional domestic scene that echoes deeper narratives and pressing contemporary issues.

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The Children's Climate Risk Index by UNICEF has revealed a chilling reality: the climate crisis is unequivocally a crisis for children's rights. Shockingly, approximately 1 billion children, almost half of all children globally, are currently facing 'extremely high risk' from the consequences of climate change. This isn't a distant threat; it's happening right now.

Broken Wing

Charcoal, Torn Paper |4'x8'

This artwork effectively conveys a poignant message about the pressing environmental crisis facing humanity. It depicts Mother Nature as a contemplative force, standing at a pivotal moment where she must make a profound decision about our future. Centuries of unbridled resource exploitation, meant to be shared equitably among all species, have led us to a critical juncture with far-reaching consequences for all life on Earth.

Within the drawing, Mother Nature contemplates the drastic notion of resetting life through complete destruction. However, her gaze lands upon a lone injured bird of prey, evoking a powerful sense of empathy and compassion. This moment encourages us to reflect on whether, despite our imperfections, we too may be deserving of her mercy. It serves as a poignant reminder of our collective responsibility to safeguard our planet and underscores the imperative for united action to secure a sustainable and harmonious future for all living beings.

Since returning from The Gambia last April, I have been struggling with some very serious health issues.

After spending a wonderful month in The Gambia, I am convinced that as soon as I am able, I will split my retirement between Columbia and Banjul. I returned in April and was sideline with a terrible cold and cough.

As an artist, I have always been driven by the need to communicate. Becoming a professional artist meant discovering the most efficient method to convey my message to any and all people who would brave the challenges and issues that drive me to create. I love drawing the figure and discovered early in my life that it gave me the opportunity to talk to other people from our shared humanity

There is an Islamic tradition that says, ``love of one's fatherland is part of faith.'' From the time the first Africans were violently torn from the shores of this continent up until today,

May 10, 2021

I grew up in Anniston, AL during the infamous reign of Governor George Wallace. My family’s history was and still is based in sharecropping in Georgia. My grandfather and grandmother left Georgia looking for something better and eventually jumped out of the frying pan landing in an Anniston, Al barn fire. My mother,

When I was a student, my favorite artists were Charles White, Henry O. Tanner, John Singer Sargent, DaVinci, and Goya to name a few. Each one taught me a specific lesson. .

This drawing was last seen at the Neema Art Gallery in Charleston, SC under the care of Meisha Johnson. The Gallery Curator, Ms. Johnson shipped it to Swann Auction House for sale. It was damaged in transient. Ms. Johnson informed…